Showing posts with label post-work. Show all posts
Showing posts with label post-work. Show all posts

Adams, Douglas. The Restaurant at the End of the Universe

Douglas Adams, The Restaurant at the End of the Universe (1980). How easy is it to distinguish socially useful labour from activities which are pointless, parasitic, counterproductive, or downright violent? 

Perhaps not that easy. In Bullshit Jobs: A Theory (2018), David Graeber offers an elegant approach to distinguishing "bullshit jobs." Does the person doing the job believe it has any social value? Graeber acknowledges this  approach isn't perfect -- for instance, sometimes tasks are broken up and distributed in ways which disguise what they are really about. But it's probably good enough. The person doing the job probably is in the best position of anyone to know. Nobody has really worked out a convincing way to measure the social value of work (as opposed to the mere market value), so what else do we have to go on?

The Restaurant at the End of the Universe contains a sort of cautionary tale about bullshit jobs. Long ago, on a distant planet, a plan was devised to get rid of all the pointless jobs ... as well as the people who performed them. Oddly enough, this plan involved a poet, who told a tale of the coming apocalypse. The people with the pointless jobs -- mostly management types, although also some telephone-sanitizers etc. -- were packed off to colonize a backwater planet. "We'll be right behind you," everybody else shouted into space, and of course they weren't. Ha ha ha! There was no apocalypse coming after all! ... or was there?

Perhaps you can guess which planet was colonized? That's right, prehistoric Earth. And yes, we humans are the descendants of the pointless jobs people. This is demonstrated not so much by shared genetics, so much as by shared attitudes and agendas.

Bogdanov, Alexander. Red Star

Alexander Bogdanov, Red Star (1908).

As well as co-founding the Bolsheviks with Lenin, Bogdanov wrote this Martian utopia (and its prequel, Engineer Menni). It was published in 1908, shortly before Bogdanov's expulsion; translated into German in 1923, Esperanto in 1929, and English 1982.

This snippet of Red Star explains the division and allocation of productive labour. It anticipates themes of Bogdanov's Tektology: Universal Organization Science (1912-1917) and later the social and organizational cybernetics and systems theory of people like Stafford Beer, Margaret Mead, Niklas Luhmann.

Doctorow, Cory. Walkaway.

Cory Doctorow, Walkaway (2017).

Doctorow's Walkaway is a book centrally concerned with political economy. It deserves places on pretty much any reading list of economic SF, and many a list of utopian/dystopian SF, alongside classics such as Le Guin's The Dispossessed. Juliet E. McKenna offers an excellent summary in Interzone #270:
In this near-future, the rich have got much, much richer while those further down the social order desperately cling to exploitative jobs, fearful of becoming a surplus labour unit. Elites ensure this default state of affairs for the blinkered majority by controlling the only meaningful careers left: financial engineering, and politics.  
[...] 
When computer access is ubiquitous, survival knowledge is free for the taking. Ultimately, people can simply walk away from a society they’re no longer invested in. So Hubert, Seth and Natalie head north into the Canadian wilderness where Limpopo and like-minded folk have set up a community where everyone can have what they want or need without even having to contribute from their own means. Limpopo isn’t the leader because there’s no such role. There is no obligation to even work for the common good unless one chooses to. 
[...] 
Some are always determined to keep score. Some demand a pecking order. What happens when they turn up and try to remake this community to suit themselves? Walking away from conventional society means walking away from its protections, in a world where anyone can arm themselves with an AK-3DP gun. Conflict is the essence of drama, right? Not so much, as it turns out, when Limpopo and the others simply walk away again. 
[...] 
Walkaway philosophy says the only way to win is not to play. But what if the other side insists? Well, then it’s time to change the rules of the game, more than once if you need to, and always trying to stay one move ahead.

Pohl, Frederik. 'The Midas Plague'

Frederik Pohl, 'The Midas Plague' (1954).

A kind of world-turned-upside-down post-scarcity dystopia: available to read on Archive.org.

In 'Lessons from science fiction: Frederik Pohl and the robot prosumer' (2020), M.J. Ryder writes:

Drawing on his experience as an advertising copywriter, Pohl often introduces elements of marketing theory and psychology to demonstrate that humans don’t necessarily need machines in order to behave in a machine-like way. Three of his most important works in this regard are his co-authored novel The Space Merchants (1952), and his short stories, ‘The Midas Plague’ (1954), and ‘The Man Who Ate the World’ (1956). While each of these works shares Pohl’s central concern with human-machine relations, they also explore elements of Pohl’s environmentalism, and concern with the impacts of mass-consumption on human life – a key concern of the early post-war period with the dawn of the computer age heralding a raft of new technologies and consumer goods. While machines, robots and automated technologies play an important role in each of these three works, they each blur the boundaries between human and machine, and interrogate the role of humans and machines in the cycle of production and consumption. It is not enough that machines produce and humans consume, but rather that humans become more and more like machines, such that consumption itself becomes a mechanical process, stripping consumers of agency and creating a dystopian world in which the only ‘freedom’ is the freedom not to consume, and is a freedom limited to the very rich.