Showing posts with label algorithmic governmentality. Show all posts
Showing posts with label algorithmic governmentality. Show all posts

Atwood, Margaret. The Handmaid's Tale

Here's a short review of Atwood's classic over at The Guardian (by Charlotte Newman), plus Margaret Atwood's entry at the Science Fiction Encyclopedia.

And here's a snippet:
"Sorry, he said. This number's not valid.
  That's ridiculous, I said. it must be, I've got thousands in my account. I just got the statement two days ago. Try it again.
  It's not valid, he repeated obstinately. See that red light? Means it's not valid.
  You must have made a mistake, I said. Try it again.
  He shrugged and gave me a fed-up smile, but he did try the number again. This time I watched his fingers, on each number, and checked the numbers that came up in the window. It was my number all right, but there was the red light again."
And:
She got up and went to the kitchen and poured us a couple of Scotches, and came back and sat down and I tried to tell her what had happened to me. When I'd finished, she said, Tried getting anything on your Compucard today?
  Yes, I said. I told her about that too.
  They've frozen them, she said. Mine too. The collective's too. Any account with an F on it instead of an M. All they needed to do is push a few buttons. We're cut off. 

De Abaitua, Matthew. If Then

Matthew De Abaitua, If Then (2015).

An algorithm called The Process makes all economic decisions (although this also means that there is no well-defined "economic" realm). It does so supposedly in pursuit of "fairness." Here is a short snippet from early in the book.
He walked the orderly line of repairmen with individual placards detailing skills offered and services required. This was residual behaviour, rendered unnecessary by the Process. Their skills and availability would be sorted algorithmically and bartered accordingly with other townspeople and their labour; that was how the Process generated the core work schedule for the town, and gave meaning to labour that had become meaningless. But the market had a role to play that was more than trade. It was a social occasion, a chance to get out, to see and be seen. The metrics of happiness required old rituals, old ways of doing things, and so time was set aside within the work schedule for the townspeople to make their own trades.

Maughan, Tim. 'Zero Hours'

Tim Maughan, "Zero Hours" (2013). A short, sharp shock about the interface of emerging technologies and low skilled labour (or supposedly low skilled labour, perhaps).

Compare John Maynard Keynes's prediction: "for the first time since his creation man will be faced with his real, his permanent problem – how to use his freedom from pressing economic cares, how to occupy the leisure, which science and compound interest will have won for him, to live wisely and agreeably and well."

Instead, hello gig economy, hello extreme precarity, and hello cognitive capitalism, which "no longer consists, as in the Fordist time, of investment in constant and variable capital (wage), but rather of investment in apparatuses of producing and capturing value produced outside directly productive processes" (Marazzi 2010: p.55). "Zero Hours" is online at Medium.com.

Also see "Four Days of Christmas" at Motherboard.

(JLW)

Nagata, Linda. The Red: First Light

Linda Nagata, The Red: First Light (2013). Military sf. The Red itself is interestingly placed: in some ways it's an allegory for capital (and the cunning of capital), and in some ways it is an extrapolation of specific recent developments in capital's activities (algorithmic marketing, basically). Nagata's Vast is also notable from an economic perspective, though in an indirect way, in its representation of several interacting self-organizing systems, which entangle and qualitatively transform in interesting ways.

(JLW)

Simmel, Georg. The Philosophy of Money

Georg Simmel, The Philosophy of Money (1900). This was originally a blog post on the main Aargh site.

So I continue to ponder Cory Doctorow's Whuffie, Charles Stross's fast/medium/slow money, and other exotic speculative currency.

But the one I'm thinking about this afternoon isn't from science fiction -- not as far as I know, anyway -- but from Georg Simmel's The Philosophy of Money (1900).

I'm interested in a somewhat adapted, purified and thinned-out version of what Simmel describes as "the system of unequal prices corresponding to the means of the consumer" (p.343). It is a kind of antithesis to the Thomist just price, and you can also hear echoes of a remark of Nietzsche's in Human, All Too Human:
[...] a shilling in the hand of a rich heir, a day-labourer, a shop-keeper, a student are quite different things: according to whether he did almost nothing or a great deal to get it, each ought to receive little or a great deal in exchange for it: in reality it is, of course, the other way round (§25)