Here's one interesting snippet: in Banks's Look to Windward (2000), a highly desirable ticketed music event leads to a "partial" reinvention of "money."
“Well, for tickets to Ziller’s concert [...] People who can’t stand other people are inviting them to dinner, booking deep-space cruises together — good grief — even agreeing to go camping with them. Camping! [...] People have traded sexual favors, they’ve agreed to pregnancies, they’ve altered their appearance to accommodate a partner’s desires, they’ve begun to change gender to please lovers; all just to get tickets [...] And they have indeed [...] come to agreements that go beyond barter to a form of liquidity regarding future considerations that sounds remarkably like money” (p.276).I wrote about this a little bit in the reflective part of my PhD. I said:
"This episode suggests a technologically privileged and sexually liberal version of commodity theory, with the same progression from inconvenient, illiquid, spot-trade barters to more conveniently liquid transactions. The tenacity of money in the Culture series, flourishing inside its homines economici like gut microbiomes [...] suggests a failure to fully erase money."(JLW)